This watercolor portrait was painted from a photograph I took of a man in Ocean City, Md this past sumer. Willis is a street musician who plays on the boardwalk. I was drawn to his long dreadlocks, wiry whiskers and interminable stare.
This watercolor portrait was painted from a photograph I took of a man in Ocean City, Md this past sumer. 

Left: A full-sized value sketch preceeds the painting. This is where I study the features and work out the values (light and dark areas) then transfer an outline of the sketch to the watercolor paper.
Right: The finished portrait
This little guy is Ludwig, a beautiful German Wirehaired Pointer, whose distinctive feature is his wonderful, wiry coat. Ludwig's fur is made up of a multitude of colors, depending on the lighting, but my favorite part to paint was his unruly whiskers. Luddy, as his owner calls him, has a very sweet temperament and was a joy to work with.
The reference photograph I worked from was taken in a natural morning light that had cool highlights and warm shadows. Perfect for the color palette I ended up using.
My client had planned to present this portrait to her husband for a surprise birthday present. However, he was a little too sharp for us and our fabricated story of why I was at the house that day to photograph didn't fool him one bit. No matter, Ludwig's portrait turned out beautifully and made a great gift.





The other one I am still reading, "In No Uncertain Terms" by Helen Suzman, who was in the South African Parliament for 35 years and an outspoken advocate against apartheid. If you like biographies, particulary those about amazing women, you may be inspired by these stories.



Step 2: Full-sized value sketch.
June 5 is the opening of Double Door Gallery's juried figure show. The show includes, not only a finished painting, but the original sketch that was done from a life drawing session.

What is the best word to use for taking a leave of absence? I kinda like sabbatical. It sounds so restful, which is exactly what I've been searching for.





Just sent out my March issue of "Beyond Faces & Figures". If you want to take a peak, you can find it here.
This is a portrait commission that I was working on this week. At left is the full-sized value sketch and composition.
After tweaking the composition, I started layering the skin tones with quinacridone colors and transparent pigments. This kept a nice glow in the painting even with subsequent layers.